Author: jamesjack

  • Sunset House: Language as the house of Being

    I have been working in Setouchi on the garden for Sunset House over the past three months for the Setouchi Triennial. Although this project has been about the relationship of the house with its surroundings over the past three years, the local stones utilized in the garden now make this relationship more clear. After discovering…

  • Winter Show

    Two of my artworks are now on display in a group show at Satoshi Koyama Gallery in Nihonbashi, Tokyo. On the opening day there was an artists roundtable discussion in which we discussed our creative pathways and discovered junctures between us. At first the fluorescent light works of artist Mitsunori Kurashige felt very cold and…

  • Philosophies of Dirt

    Solo Exhibition by James JACK PHILOSOPHIES OF DIRT September 29- October 27, 2012 Artist Talk with Daisuke Awata (Art Critic, Tokyo University of the Arts) Sept. 29th VIEW HERE Artist Talk with Katsuro Anazawa (Environmental Scientist, Tokyo University) Oct. 27th VIEW HERE A unique 58 page full-color catalog Philosophies of Dirt featuring a selection of James…

  • Sunset House Video

    A video document on the history of the town, the layers of stories in the building and my engagement with the site for SUNSET HOUSE has been completed. It was premiered in Tokyo together with a reading by poet Brandon Shimoda for the event “O Bon, Memories and the Seto Inland Sea” last month. The…

  • Colors Born in Light

    On a cloudy April day, just as the first cherry blossoms were beginning to open, I met Shingo Francis at the Kawamura DIC Museum, in Japan, where his work featured in the exhibition “The Unseen Relationship: Form and Abstraction.” Born in Santa Monica, California, in 1969, Francis’ works are saturated with layers of thin oil washes…

  • Sunset House

    As an artist in residence on Shodo Island I have developed many new artworks, most notably the permanent installation work Sunset House. I began research for the work two years ago, redesigned the interior of the house last summer and have been at work on the exterior over the past four months. The site is…

  • Mikan Story

    While writing on the sand with a stick, I noticed a mikan lying on the line between the ocean and the land. It was being pushed back and forth by the rough waves, resting on high ground only for a moment, before the next wave pulled it back into the ocean. As I observed the…

  • Artist in Residence

    I am working with natural pigments and an assortment of local materials in my new studio in the Setouchi Inland Sea as an artist in residence through the end of the year.  The region has been experiencing a swelling of contemporary art projects that are revitalizing small villages by utilizing empty spaces for art installations. Naoshima…

  • Cycles of Memory Exhibit

    I am developing a new project for Hokkaido that has been coordinated by the organizers of the exhibition Cycles of Memory (see flyer above). This project deals with the layers of earth and human consciousness, exposing the beauty of what lies beneath us. For this project soil will be drawn from a historical site in Hokkaido…

  • Miniature Landscape at Honolulu Academy of Arts

    I will be the Orvis Artist in Residence at the Honolulu Academy of Art starting this Saturday, May 14th. This work will be made specifically for the Academy utilizing locally available natural materials. Natural pigment samples will be sculpted into handmade conical shapes in collaboration with museum visitors on Saturdays from 10-4:30 and Sundays from…