“From Stone to Sand” exhibit in Fukuoka

From Stone to Sand

 

Artistic Director: James Jack

Special Cooperation: Kozo Ota (Love FM)

 

February 4-12th, 2017

Enjoy Art Space Daimyo

This participatory exhibit fills the gallery with stones that change each day of the exhibit according to different patterns of “flow”. These patterns are derived from two different places: Yame and Fukuoka. The unique time and space of each place determined the pathways in this historical art space which has seen diverse utility over the past century. The metaphor of “from stone to sand” opens a new perspective on time that is informed by the layers which support our everyday life in between one place and another.

 

Saturday, February 4th
Talk Event and Opening Reception

17:00-
“The Life of Dirt” Talk Event
James Jack (Artist)
Kozo Ota (Love FM)
Tetsuo Ohashi (Yame Organic Tea Farmer)

18:30-
Sound Mix
MASUO (CAS Fukuoka)

19:00-
Opening Reception 

Enjoy Art Space Daimyo Map

Hours:
Saturday/Sunday 12:00-18:30
Weekdays 14:00-19:30
Closed on Mondays
(Exhibit closes early on the last day at 16:00)

**Admission to the art space and all special events are free to all.

Download event postcard HERE

 

From Stone to Sand: 縁側のながれ

ダイレクション:ジェームズ・ジャック

特別協力:大田こぞう(LOVE FM「月下虫音」)

期間
2月4日(土)~2月12日(日)*最終日は16時まで

会場
エンジョイスペース大名  →地図

 

「石から砂へ」というメタファーを用いながら、二つの場所の間にある時間と空間を想起し、「ながれ」 について思いを巡らす参加型展示です。福岡と八女という一見異なる二つの場所について、日常を織りなすさまざまなレイヤー (層)に目を向け、両者のつながりを浮かびあがらせます。

 

2月 4日(土)トーク+レセプション

17:00 生きる土(The Life of Dirt)  大橋鉄雄(お茶の大幸園|八女・笠原)、James Jack(アーティスト) ほか
18:30 糅て音〈かておと〉(Sound Mix)   MASUO(CAS Fukuoka)
19:00 オープニングレセプション *ドリンク代は実費となります。

2月 5日(日)汽水域の渦(Brackish Water Swirl) 制作:「地域づくりとアート」実践プログラム受講生

14:00    映画「まちや紳士録」上映会
15:30    トークイベント    伊藤有紀(映画監督)、渡邊瑠璃(ART HUB 三樹荘)

土・日 |12:00~18:30
平日     |14:00~19:30
月         |休み

  *エンジョイスペース大名での展示・イベントは全て無料です。

Download event postcard HERE

“Gen Gen Ten” in Iwaki, Fukushima

jj-iwaki-gengenten2

 

Exhibition

Gen Gen Ten

October 22 – November 13

New works on paper featuring 88 samples of dirt on paper gathered over the past year by James Jack included in this unique exhibition.

Iwaki Alios Center 1F & Moritakaya Art Center 1F

Iwaki City, Fukushima, Japan

 

展覧会

「玄玄天」

いわきまちなかアートフェスティバル

10月22日ー11月13日

Iwaki Window (試作)

アリオスセンター1Fとアートスペースもりたか屋1F

福島、いわき市

https://www.facebook.com/gengenten/?ref=page_internal

“Eight Layers of Dirt” Installation

Eight Layers of Dirt

James Jack

4 channel stereo sound installation

Variable dimensions

2016

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Dirt is a part of us. Just as our body is composed of cells, organs and systems—so too is the earth. This fragile earth supports our life, yet we often separate ourselves from it. Art provides one method for healing our fractured relationship with the land we inhabit. It gives us a glimpse into the layers of earth, where the possibility to rediscover ourselves inside the beautiful dirt exists. This work is composed of interviews with eight women, four of whom live in Fukuoka and four who live in Yame. The artist spoke with each of the women about their life stories, focusing on the complicated relationship they each have with the place they live. As these conversations unfold, the spirit of each place gradually comes into view from the ground up. The unique stories collected here provide a glimpse at the current layers of the land seen through the eyes of eight strong women.
Interview Participants:

ASATSUYU: Mari Kanazawa + Haruka Harashima

YAMAKAI: Satsumi Miyazono + Miki Matsunaga

SANMIDORI: Aiko Hara + Sayako Tachi

YABUKITA: Ayako Ohashi + Nami Kurita

 

YAME x FUKUOKA REMIX

October 2016

Organizer: Social Art Lab, Kyushu University

More info (Japanese): http://www.sal.design.kyushu-u.ac.jp/artmanagement.html

Photos by: Akiko Tominaga

 

「八つの土のレイヤー」

ジェームズ・ジャック

4チャネル ステレオサウンド・インスタレーション

サイズ可変

2016年
土は、私たちの一部です。私たちの身体は細胞、臓器、器官からできていますが、地球も同じようにさまざまなものによって構成されています。そんな危うい地球に私たちの生命は支えられているのです。もっとも、私たちはそのことを自分には無関係なことと思いがちですが。アートは、私たちが暮らしている土地と私たち自身の失われた関係を修復する一つの方法を提示してくれます。土地のさまざまなレイヤーを垣間見ることで、私たちは美しい土に囲まれていることを再発見することができるのです。

この作品は、8人の女性––福岡在住の4人と八女在住の4人––のインタビューで構成されています。アーティスは、それぞれの女性のライフストーリーを聞きながら、それぞれの女性の生と暮らした土地との複雑な関係に焦点をあてていきました。会話が進むにつれ、それぞれの土地のスピリットが少しずつ現れ出てきます。ここに集められたユニークなストーリーは、8人の強い女性の目を通して見えてくる、土地のもつ複雑なレイヤーを垣間見せてくれます。

“Small Islands with Big Visions,” roundtable at Sunset House

Place
Sunset House, Konoura, Shodo Island, Artwork No. 086
Date

Monday, October 10th, 13:30-15:30 pm
Participants
Michelle Lim (Curator and Art Historian, Singapore/U.S.)
Yoshitaka Mouri (Cultural Studies Scholar, Japan)
James Jack (Artist, Japan)

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This special event will reflect on art as it engages with society on two small islands: Singapore and Shōdo. What can art do for communities and the social realities of each island? This special event will reflect on the relationship of art activities in the wider social landscape. Current issues will be considered through artistic and scholarly perspectives while searching for alternative visions for today. Together with the opinions of local residents and visitors, creative visions will resound from Sunset House: The House as Language of Being.

small-islands-with-big-visions_map
For more info: [Japanese only]:

Artist Interview on LOVE FM Fukuoka

James Jack artist interview July 14, 2016 listen here:

“Living Dirt” Symposium

The last dirt samples have been added to “Dirt Stage” today on the last day of the Water and Land Art Triennial in Niigata. After adding the last twelve samples to the grid, a symposium was held to discuss the meaning of this work and its process. It was an incredibly meaningful yet emotional day as we faced the last day of the three-month exhibition in Niigata. Many questions about the work emerged in the symposium together with guest Meruro Washida and artists James Jack, Yoshitaka Nanjo and Shotaro Yoshino at Base Camp.

The symposium titled “Living Dirt: Memory and Rebirth in This Place” was focused on questions that have arisen based on the activities of World Dirt Association. Core issues arose on the topic of the balance between collecting, moving and exhibiting dirt as well as the balance between earth and information. Specifically the focus of this discussion was on the background for this work, the collaboration which ensued as well as the methods for reconsidering our relationship to dirt. The problems of working with living materials was addressed while thinking about the distinctions between interior and exterior spaces.
Together with numerous volunteers in all stages of this project, we found new layers of dirt which lies beneath us. The life of dirt as a medium for other microorganisms, insects and plants was reflected on in the context of art as something that needs to be protected from ageing. This work deals directly with time, specifically mapping the passage of time with the addition of dirt samples into the grid. In a symmetrical structure the spontaneity of dirt samples sent from 115 sites over the past three months has brought together this artwork.

 

Dirt Stage opening

The World Dirt Association (James Jack, Yoshitaka Nanjo + Shotaro Yoshino) opened “Dirt Stage” to the public this past weekend at the Water and Land Art Festival 2015. Seventy-five samples have been collected from across the world focusing primarily on Japan with more than half of the samples from Niigata Prefecture. There was an enthusiastic response to the activities of WDA for the local connections as well as the global relevance of histories of dirt today.

 

As can be seen in these preview images, each sample has its own unique color, texture and history. By arranging them in a grid, WDA aims to open the possibility for reconsidering the relationship of one site with another. Furthermore the formal structure of the installation is contrasted with the contingency of each dirt sample and the site where it was collected.

 

 

An introduction to the activities of WDA is made in a video work shown at the entrance to the work, followed by the grid of soil samples currently in progress. When the grid has been completed there will be 133 samples indoors and 27 additional samples outdoors. Finally the pathway between the sample which forms the stage continues outdoors to a stunning view of the surrounding field and ocean.

 

This final view of the earth which is composed of earth will remain a mystery for those who visit the site. The exhibition is open until October 12th with free entrance to all so come visit to see the World Dirt Association’s new artwork in person.

Stack/File Group Exhibit

Guest Curator: Ana Torok

Artists: Tomie Arai, Ernst Benkert, Lucile Bertrand, Hovey Brock, Stephanie Brody-Lederman, Hedwig Brouckaert, Beth Caspar, Phillip Chen, Yvette Cohen, Grace DeGennaro, Karni Dorell, Pauline Galiana, Marietta Hoferer, Toine Horvers, Richard Howe, James Jack, Damon Kowarsky, Michael Kukla, Stephen Maine, Karen Helga Maurstig, Portia Munson, Florence Neal, Claudia Sbrissa, Matthew Thomas, Josette Urso

June 13 – July 26, 2015
Curator’s Talk: Saturday, June 13, 4pm
Reception: Saturday, June 13, 5 – 6pm

Exhibitions and events are free and open to the public.

Stack / File is a dual-platformed curatorial experiment designed to re-create the agency inherent to the process of exploring the Kentler Flatfiles. The first platform, Stack, is a traditional selections show using the layered and stacked storage of the Flatfiles as a theoretical catalyst to explore issues relating to superimposition. The second platform, File, is an online, conceptual record of the curatorial process, including the chronology of significant events leading up to the opening and expanded considerations of each artwork in the exhibition.

Special website for the exhibit

Current exhibit Kentler website link

 

 

Artist Lecture

Art in Pacific Currents

Artist Lecture by James Jack

Kobe University, Literature Department

June 11, 2015