Molokai Window
2018
“Social practice artist James Jack has been working closely with diverse community partners to gather stories pertaining to ‘āina (land) on Moloka‘i. This installation focuses on land not as a commodity to be bought and sold, but on the visceral relationship between Molokaʻi’s people and land. This long process has revealed that while the people of Molokaʻi may have different priorities, they all see the island’s potential tied to the land.”
—Healoha Johnston, curator
Molokai Window
Sketchbooks, Natural pigments and gum arabic on wall panel, natural pigments and gum arabic on paper, sketchbooks, quotes from community members and aloha ‘āina spiral
2018
Honolulu Museum of Art
Molokai Window
Natural pigments and gum arabic on wall panel, natural pigments and gum arabic on paper, sketchbooks, quotes from community members
2018
Honolulu Museum of Art
Molokai Window
Natural pigments and gum arabic on wall panel
2018
Honolulu Museum of Art
Pūko‘o Window
Exhibition text by Healoha Johnston in vinyl, natural pigments and gum arabic on paper
2018
Honolulu Museum of Art
Mokio Window
Natural pigments and gum arabic on paper, quote from community member
2018
Honolulu Museum of Art
Molokai Window
(prep drawings)
Natural pigments on sketchbook paper
2016-2018
Honolulu Museum of Art
Walter Ritte, Healoha Johston & James Jack
Aloha ‘Āina Spiral
Vinyl on wall
2018
Honolulu Museum of Art
Walter Ritte
Vinyl on Wall
2018
Honolulu Museum of Art
Molokai Window
Digital video by Matt Yamashita, Quazifilms
2018
Molokai Arts Center & Honolulu Museum of Art