“Roots of Tide” at Art no Show / Yukari Space Shodoshima, 15 Sept.- 15 Oct. 2025

潮の根

Roots of Tide

9/15-10/15/2025

会場

アートノショーターミナル (2F) / Art no Show Terminal (2F)

ユカリノSPACE 小豆島(とのたる館3F) / Yukarino SPACE Shodoshima

オリーブアイランド海洋クラブ艇庫 / Olive Island Yacht Clubhouse

 

主催

waseda eco art studio

 

Poster

RootsofTide_2025.10.4

 

Termites exhibit @Itoshima Arts Farm Fukuoka, October 2025

ゲストアーティスト

The Termites

(牧山雄平、久留島咲、川畑彩夏、越後正志、ジェームズ・ジャック)

「The Termites」は、アートという繊細な感覚器を通じて、生態系の静かな循環に耳を澄ませます。
私たちの暮らしのすぐそばで、シロアリたちは黙々とその営みを続けています。彼らが菌とともに呼吸し、微細な関係性のなかで共同体を築いていく姿は見えざるつながりの豊かさを教えてくれます。

この知恵を道標に地方における持続可能なコミュニティのかたちをアートとともに探っていきます。「The Termites」は 小豆島という風景のなかで、人間と人間以外の生き物の声を、もう一度編み直してきました。

糸島芸農2025では「The Termites」は糸島という土地へ創造の余白を編み込み、新たな共生の風景を描きます。

開催概要

 

2025年10月18日(土),19日(日),25日(土),26日(日)
11:00-17:00

糸島芸農2025フリーパス(会期中有効)|
2,000円(障害のある方、学生1,000円

※要障害者手帳、学生証 小学生以下無料

 

会場|
福岡県糸島市 松末地区、深江地区、一貴山地区、浜窪地区

“Art as Ecological Practice” exhibit @ M.1 Hohenlockstedt, April 2025-Feb. 2026

Winds of Yui by Noa Jack, James Jack and Asuka Sarai, recycled sailcloth, yarn, 2025. Art as Ecological Practice, Spring Assembly, 25 April 2025. Photo: Meika Mizuno

 

 

Artistic Director M.1 2025/26
Ronald Kolb

Art as Ecological Practice

Situated Practices & Translocal Encounters between Art, Science and Everyday Life

A process-based exhibitionary project exploring ecological practice through workshops, performances, screenings, installations, cooking and structured around artistic research, collaborative activities, and four seasonal assemblies:

 

Participating Artists & Researchers
Artists and researchers include Camilla Berner, Ewen Chardronnet, Field Narratives (Sascia Bailer, Andreas Doepke, hn. lyonga, Lene Markusen), Taro Furukata, Fernando Garcia-Dory (INLAND), Frauke Gerstenberg & Leon Bischinger (Muthesius Kunsthochschule Kiel), Seraina Grupp, Maj Hasager (Malmö Art Academy, Lund University), Emilio Hernández Martínez (Cocina CoLaboratorio) & Dea López (Co.merr), Michael Hiltbrunner, Christian Huck, James Jack, Astrid S. Klein, Lene Markusen, Maya Minder, Meika Mizuno, Eva Hertzsch & Adam Page, Åsa Sonjasdotter, Riikka Tauriainen, Byungseo Yoo, Daniela Zambrano Almidón, and more. With local experts Wiebke Habbe, Erika Harzer, Raphaela Kuhn & Basti Weber, Inke Magens, Marle Rudolph and others.

 

Expanded Exhibitionary Practices
Instead of a static exhibition, “Art as Ecological Practice” will develop over the course of the year and “grow” with each seasonal gathering. The exhibition will integrate new works that unfold over different periods of time, existing works, and documentation of collaborations on site. By involving artists, scientists and local practitioners, the project promotes participatory encounters and translocal connections. The exhibition space thus potentially becomes a contact zone in which an exchange about local conditions and transcultural knowledge is made possible and in which the asymmetrical glocal relationships in which we are all entangled can be critically and self-critically examined.

https://www.m1-hohenlockstedt.de/en/kuratieren/m1-kuratieren-202526/

Dirt DJ @ lumbung radio Helsinki, September 2023

bacilli

Dirt DJ

bacilli (Shotaro Yoshino, Yoshitaka Nanjo & James Jack; based in the archipelago of Japan) listen closely to the energy of microorganisms inside the soil in Zollverein—what do these bacteria inside of land say to us? In this residency we layered geological research on coal memories, oral histories with residents in Ruhr on what gives them energy today and connecting power circuits with imaginative thinking.

Dirt DJ shares artistic methods for harvesting alternative energy that heightens human awareness of other species. Currently this is taking the shape of radio programs including a track released on lumbung radio (hyperlink: https://lumbungradio.stationofcommons.org/) and a new album cover that will appear in the Thailand Biennale (hyperlink: https://www.thailandbiennale.org/). We continue to search for ways we as humans can live synergistically together with other species living in earth.

Link to Dirt DJ: version two sound file here (embed into image as well please): https://www.dropbox.com/scl/fi/hkgtxwbt7qxvwdkny6t01/DirtDJ_2_20230827.mp3?rlkey=8p7hxd5019obavu52nnrq4frp&dl=0

https://pixelache.ac/events/forum-pixelache-x-lumbung-radio

“Soilstory” @ Oku-Noto Triennale 23 Sept – 12 Nov 2023

Soilstory – つちがたり –

Tools, images, relics, video and dirt

Variable dimensions

“We created this work focusing on the voices of historic objects. Research conducted on the local farming ritual “Ae no Koto” along with memories, dialogue and exchanges with local residents and relics obtained from diverse collections are integral parts of this “Soilstory” installation. Two live performances were held during the triennial simultaneously online and in person to work creatively with distances between people and things during a pandemic, thus in the retelling of soil stories spaces for shared wishes towards the future emerge.”

奥能登国際芸術祭2023
最涯の芸術祭、美術の最先端。

会期|2023年9月23日-11月12日
会場|石川県珠洲市全域 247.20k㎡

Soilstory –つちがたり–

民具の声に焦点を当てることをテーマに作品を展
開。「あえのこと」や土の記憶などのリサーチや
現地の人々との対話、また大蔵ざらえで得た「も
の・証拠」を素材に、インスタレーションを行
う。舞台では、パンデミック中の人やモノとの距
離感を縮める祭事をコンセプトとしたライブを行
う。共有する願いを物語とすることで未来の理想
的な社会を浮かび上がらせる。

https://www.suzu-stm.jp/museum.html

“In the Elements” @ Kentler International Drawing Space

VIEW FILES: In the Elements
Curated by Sallie Mize
in conjunction with In the Elements: Selections from the Kentler FlatfilesNovember 11 – December 18, 2022ARTISTS: Nancy Friedemann-Sánchez, Chris Gonyea, James Jack, Ellen Kahn, Hilary Lorenz, LUCE, Kate McGloughlin, Margaret Neill, Jaanika Peerna, Josette Urso

The VIEW FILES are a publicly accessible, interactive flat file unit located in Kentler’s front gallery space. Visitors are invited to open and explore the drawers, revealing artworks related to the exhibition on view. This initiative offers direct engagement with the Flatfiles, gives added exposure to artists, and adds an element of surprise to our shows.

THE KENTLER FLATFILES
The Kentler Flatfiles have been an essential element of Kentler International Drawing Space since its founding in 1990. A collection of over 2,000 artworks by 290 local, national and international artists, this living archive represents the incredible breadth and diversity found in contemporary drawings and works on paper today. Selections from the Flatfiles are regularly presented in guest-curated exhibitions at Kentler and in traveling shows.

Flatfile works are held on consignment in Kentler’s showroom and are available to the public for viewing and purchase. “Focus on the Flatfiles” is a rotating selection of works on view in our front gallery space. To schedule a viewing appointment in our Flatfiles showroom or inquire about prices, please contact the gallery.

The Flatfiles Digital Archive, providing full online access to the collection, was awarded an ArtWorks grant by the National Endowment for the Arts in 2015.

https://kentlergallery.org/Detail/exhibitions/531

 

 

“Fragrances of Soil” @ Art Week Kinan, October 2022

bacilli
Artists James Jack, Yoshitaka Nanjo, Shotaro Yoshino form bacilli as caretakers who nurture active spaces for living with dirt, people, food, microbes and spirits. Commencing in 2014 as “World Dirt Association,” the artist collective has evolved into the form of “bacilli” (Bacillus genus of bacteria)growing exponentially from 2022. Their dedication to artistic infusions of taste, touch, scent and more grows together with local collaborators in diverse places based on a shared love for land. As their evolutionary path expands, symbiosis is diversified through interesting mutants discovered in the collaborative creative process. Selected Exhibitions 2015 Water and Land Festival, Niigata 2016 S.Y.P. Art Space, Tokyo 2017 Ichihara x Art Mix, Chiba 2018 Yame Remix, Fukuoka 2020 ART FOR THOUGHT, Tokyo 2021 Oku-Noto Art Triennale, Ishikawa 2022 Setouchi Triennale, Kagawa

 

 

bacilli × Caravansarai -Fragrant Soil-

An event to feel and experience the stories and memories of places associated with soil using the “five senses”. The event is a collaboration between “bacilli,” a soil art unit led by Kinan resident Nanjo, and Tanabe’s French restaurant “caravansarai.” They will bring soil from citrus farms in various areas of Tanabe City, as well as fruits and roots, to enjoy the differences between them.

Date:Saturday, October 15, 2022, 17:00-18:30
Artist:bacilli、Caravansarai
https://kinan-art.jp/en/info/9507/

Aiwaso
28-24 Furio Tanabe City Wakayama, Japan
https://www.aiwaso.jp/
Open 10:00 〜 17:00
*Please note that the opening hours have been changed on October 8th and 9th due to venue maintenance. From 10:00 to 15:00 on October 8th from 11:00 to 17:00 on October.

https://kinan-art.jp/en/info/9929/

“Composting Knowledge” @ lumbung: documenta fifteen

Its participants are active in the creation of such actions through their own unique perspectives that embrace cooperative, non-hierarchical, neighborhood centered principles. Composting Knowledge aims to build a supporting system for these initiatives to cooperate in engaging and critical ways.

Currently the composting network reunites over twenty participants from Kassel, Tokyo, Sofia, Holualoa, Singapore, Beirut, Zurich, Toronto, Stockholm, and London, who are engaging with own capacity and pace in the spread, research and activation of the topics exchanged within the network by challenging their own practice, involving local communities and institutional partners.

The network is growing. Current members are:

  • Färgfabriken, Stockholm
  • Global Art Practice, Tokyo University of the Arts, Tokyo
  • ICA-Sofia, Sofia
  • James Jack & Donkey Mill Art Center, Hawai’i
  • Myvillages, Rural School of Economics, London/Rotterdam/Berlin
  • YCAR (York Center for Asian Research), Toronto
  • Dorothee Richter, Ronald Kolb: OnCurating.org & Postgraduate Programme in Curating, ZHdK
  • knowbotiqs, Zurich
  • Sandra Schäfer, Joseph Rustom, and students, Akademie der Bildenden Künste, Munich and Académie Libanaise des Beaux Arts, Beirut

Quote by ruangrupa:

“Composting is growing. It’s a process which calls for a change in our understanding of the subject of knowledge, an uncontrolled mutation of ingredients, which transcend a cartesian or logical system in the production of experiences, and facts but instead transform every material collected in fertile soil for our community. As the water is part of every living being and primal, juicy engine for the rotting activity, so the compostable transformation is nourished by every idea, intervention, activity and contribution by withdrawing from disciplines and one-sided knowledge and expertise forms. Each person is welcomed to participate as a cultivator, contributing with awareness to a multi-ingredients compostable practice. The material for a florid mixture is brought from friends, are those guests, one-time visitors, students, researchers, from all corners of the globe, each one will be a grower and harvester of an abundant, yet non-definable knowledge pot. For the shared growth of yet unknown knowledgeable terrains we invite you to contribute to this compost pot.”

“Dirt Restaurant” @ Setouchi Triennale 2022

Setouchi Dirt Restaurant

bacilli

(James Jack, Shotaro Yoshino & Yoshitaka Nanjo)

Fall 2022

A new artwork based on storied flavors of dirt on Takamijima with research on Megijima, Shodoshima and other islands in Setouchi. Video released during summer triennial season in Takamatsu and Tadotsu along with event held in fall season 9 October on Takamijima. Trailer preview available here stay tuned for additional details on the Setouchi Triennale website and YouTube channel.

作品No. [E17]

bacilli

瀬戸内の「土」を味わう

土の研究や土食文化の発信をおこなう南条嘉毅、James Jack、吉野祥太郎によるコレクティブが構想中の、瀬戸内の「土」を食べる前代未聞のプロジェクトを紹介するイベントを開催。

※詳細は決まり次第HPにてお知らせします

https://www1.setouchi-artfest.jp/en/artworks-artists/artworks/takamijima/465.html 

Composting Knowledge: The Open Bin 11 March – 16 June 2022 Zürich

COMPOST – The Open Bin (Composting Knowledge)
Collective-driven, process-based performative exhibitionary project

This communal exhibitionary project – a sequential and choreographed series of interlocking events on the topic of “Composting Knowledge” – offers an evolving programming at the OnCurating Project Space (Ausstellungsstrasse 16, Zurich) both on-site and online from 10 March to 17 June 2022 with one and more events taking place every week and weekend (Thu 6pm / Fri 8pm / Sat 7pm) for 14 weeks.

 

Statement
For documenta fifteen (2022), Jakarta-based collective and lead Artistic Directors ruangrupa initiated an international and collaborative network for alternative knowledge production named the “Composting Knowledge” network, (in which institutions and initiatives such as Färgfabriken, GAP Tokyo, ICA Sofia, JJ and Donkey Mill Art Center, Knowbotiqs , Myvillages, YCAR Toronto take part. ruangrupa’s “Composting Knowledge” is an active experiment to imagine alternative terrains for knowledge production and sharing, taking place in collaboration with ruruHaus, the main activity house in Kassel, and a wide range of institutions, initiatives, practices, collectives and individuals around the world. The idea is to envision possible supporting systems for institutions to cooperate and engage in critical ways, by exploring questions and learning  from different perspectives, practices, traditions, and backgrounds – breaking at the same time canonical and privileged knowledge systems.

Following the process-based and communal methodologies proposed by ruangrupa, we will gather our own “Open Bin” and fertilise the soil for composting ideas and proposals at the OnCurating Project Space. Within our “COMPOST – the Open Bin” programme, various activities will come into contact, ideas will be displayed, discussed and digested, a shared process will be activated, and a space of transition will emerge.

As a curatorial group, we understand “Composting” not only as the natural or direct contact transformation process of digestion/fermentation/composting, but also as a cultural and political articulation, as ways of self-sustaining, of reflecting upon epistemologies, and creating new formations of joyful resistance.

The project invites diverse artists and collectives to come together with the aim to explore composting practices (literally and figuratively) and to share moments. Thanks to the modular structure proposed by Zurich-based artist duo Stirnimann-Stojanovic, the various events – social in nature and in all sorts of forms – will consist of screenings, dinners, roundtables, exhibitions, performances, talks, to bebe open and accessible to all in a hybrid format for its whole duration.

Composting is growing. It’s a process which calls for a change in our understanding of the subject of knowledge, an uncontrolled mutation of ingredients, which transcend a cartesian or logical system in the production of experiences, and facts but instead transform every material collected in fertile soil for our community. As the water is part of every living being and primal, juicy engine for the rotting activity, so the compostable transformation is nourished by every idea, intervention, activity and contribution by withdrawing from disciplines and one-sided knowledge and expertise forms. Each person is welcomed to participate as a cultivator, contributing with awareness to a multi-ingredients compostable practice. The material for a florid mixture is brought from friends, are those guests, one-time visitors, students, researchers, from all corners of the globe, each one will be a grower and harvester of an abundant, yet non-definable knowledge pot. For the shared growth of yet unknown knowledgeable terrains we invite you to contribute to this compost pot.”

Giulia Rossini and Tyuki Imamura on behalf of Compost Network